Torrent anonymously with torrshield encrypted vpn pay with bitcoin. Top 4. 00 Prison Movies - Prisonmovies. Top 3. 00. 4. The Hill (1. UK)Deserters and other wartime miscreants fight for dignity and justice in a desert prison. Brubaker (1. 98. 0, USA)Undercover warden unearths corruption. Prisoners unearth interred colleagues. Stir (1. 98. 0, Australia)Keenly observed film of the '7. Bathurst riot, and the best Australian prison movie by a long shot. Stone (2. 01. 0, USA)Questions about sin, morality and possible redemption in a taut prison drama. Hunger (2. 00. 8, UK)The IRA's Bobby Sands starves himself to death in the Maze Prison in 1. Provocative and beautifully shot. Jailbait (2. 00. 3, USA)Harrowing film about a fresh- faced kid and an imposing lifer, sharing the one cell. Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for. The Ten Most Famous Movie Quotes (According to The Guinness Book of Film) Top 10 Most Famous Movie Quotes: These are the ten most recognizable film quotes. Prison Movies - Prison stuff. Anti-hanging drama based around two prison officers, one old, one new, the unseen man on death row, and that man's. Crime movies watch online free on MegaMovieLine. Download Crime movies, watch trailers. Greenfingers (2. 00. UK)A gentle comedy that says some important things about reintegration and community acceptance. Fiore (2. 01. 6, Italy)Fine portrait of a headstrong teenager in juvenile detention who falls for a young man in the same facility. Slam (1. 99. 8, USA)Surprisingly good film of a young rapper finding freedom, of sorts, in prison. Lucky Break (2. 00. UK)Romantic comedy with an Irishman, his counsellor, an escape plot and a strange moral centre. Porridge (1. 97. 9, UK)Comfortable as the top bunk in a snug cell: Norman Stanley Fletcher, Mr Mackay and plenty of witty repartee. Ghosted (2. 01. 1, UK)A compelling triangular piece involving a predator, his prey and the prey's protector. Lockout (2. 01. 2, USA)Newly convicted special agent rescues President's daughter from outta control outer space prison. Bronson (2. 00. 9, UK)Compelling portrait of Britain's most violent prisoner as cabaret artist and monster. Jail (2. 00. 9, India)An innocent man struggles in prison. Supposedly India's answer to The Shawshank Redemption. My Six Convicts (1. USA)Decent flick of the Donald Powell Wilson autobiography - a prison psychologist and his six inmate helpers. Holes (2. 00. 3, USA)Wholesome Disney comedy about a young detainee whose luck changes. Captives (1. 99. 4, UK)Beautiful dentist falls for a bit of rough, in the best British tradition. Stranger Inside (2. Top Ten Horror Movies 2016USA)Young prisoner seeks out her mother (also in prison) whom she's never met. A bleak survival story with a twist. Screwed (2. 01. 1, UK)A new Prison Officer tips the bucket on the Truth about Life as a Prison Officer. Midnight Express (1. USA)The film that made allusions to ending up in a Turkish prison so much more evocative than, say, a Swiss prison. The Quare Fellow (1. UK)Anti- hanging drama based around two prison officers, one old, one new, the unseen man on death row, and that man's wife. Mc. Vicar (1. 98. UK)First hand account of the prisoner- turned- journalist's 1. Durham Prison. 9. The Brig (1. 96. 4, USA)Harrowing, fist- in- the- guts depiction of a day in the life of a marine Corps brig. The Big House (1. USA)The Big House is the Big Daddy of prison movies; arguably the first in the genre. Can still hold its own, too. Under the Gun (1. USA)New York gangster cops 2. Deep South prison farm, and sets out to scheme his way out. Cell 2. 13 (2. 01. Canada)Surprisingly absorbing flick of a supernatural cell and its lawyer inhabitant. Not the horror movie it purports to be. Penitentiary (1. 93. USA)Out- of- place prisoner falls for the warden's daughter but when pushed, sides with the cons. Prison (1. 98. 8, USA)Supernatural force is unleashed from an execution chamber in a super old prison. Short Eyes (1. 97. USA)A child molester is dropped into the midst of self- righteous inmates, with predictable results. Convicted (1. 95. USA)Above- average tale of conflicting loyalties, the criminal code, and falling in love with the Warden's daughter. Shackles (2. 00. 5, USA)Prison movie genre meets teacher- works- with- tough- disadvantaged- students movie genre. Fast- Walking (1. USA)Bent anti- hero guard faces big dilemma when two corrupt paths are in conflict with each other. Offender (2. 01. 2, UK)Modern action flick with an angry young man avenging the wrongs done to him, his girl and his unborn child. Zonzon (1. 99. 8, France)A gritty film about three very different cellmates - with classic prison movie features. Felon (2. 00. 8, USA)Decent, regular guy is forced to survive in brutal prison. Now, there's an idea for a new movie! House of Women (1. USA)A great 5. 0s women's prison movie from the 6. San Quentin (1. 93. USA)Humphrey Bogart plays prisoner in a mediocre movie featuring an upright, if awfully conflicted, Captain of the Yard. The Slams (1. 97. USA)Entertaining '7. Lilies (1. 99. 6, Canada)Brave but flawed story of a Bishop held hostage in prison and made to confront his past. Diamond Geezer (2. UK)Old- fashioned comedy- drama involving an escape from prison to commit daring robbery, and then a break back in. Animal Factory (2. USA)Young boy is taken under the wing of shaven- headed hard man. With only the purest of intent, it must be said. Prison Song (2. 00. USA)Depressing story highlighting the procession of African Americans wasting their lives in jail. Left to Die (2. 01. USA)Unexceptional but inoffensive innocent woman in a harsh prison system film, based on a true story. Johnny Holiday (1. USA)Optimistic tribute to an Indiana boys' reformatory and the capacity of its staff to turn lives around. Brokedown Palace (1. USA)Two women accused of drug smuggling protest innocence but don't seem to want to find the real culprit. Conviction (2. 00. USA)Average offering based on the true story of Carl Upchurch, prisoner turned defender of the downtrodden. Brute Force (1. 94. USA)Tough guy, bent on escape to see cancer- ridden girl, is frustrated by bent tough guard. Caged (1. 94. 9, USA)Redeemable teenager is slowly sucked into the criminal milieu and towards a life of crime. Convict 9. 9 (1. 93. UK)A sacked headmaster finds himself a convict and a prison Governor, both by mistake. Enemies (1. 93. 9, USA)Framed DA in prison; a different take on the 1. The Criminal Code's take on a DA in prison. The Chair (1. 98. USA)Enjoyable comedy- horror with eerie goings on years after the murder of a warden on his electric chair. Dante 0. 1 (2. 00. France)Supernatural healer causes a stir in a spaceship prison specialising in scientific experimentation. The Big Guy (1. 93. USA)A warden's dilemma - keep some ill- gotten loot, or exonerate an innocent man on Death Row. Instinct (1. 99. 9, USA)Familiar themes as anthropologist prisoner and prison psychiatrist go head- to- head. Pardon (2. 00. 5, Turkey)Gentle farce with three over- aged, innocent men accused of terrorism by over- zealous police. Kala Pani (1. 99. India)Honourable freedom- fighting Indian doctor vs. Cellmates (2. 01. USA)Inoffensive offering in which a bigot finds redemption and love in prison. Not with his cellmate. Firelight (2. 01. USA)Good- hearted but ludicrous story of a counsellor helping a young prisoner find her self- worth. Prison Warden (1. USA)Warden's wife becomes the warden's wife because of her love for a prisoner in her husband's prison. Mickey B (2. 00. 7, UK)Worthy prison adaptation of Shakespeare's Macbeth, played by real prisoners in a real Northern Ireland jail. K- 1. 1 (2. 01. 2, USA)Wasted rich man lands a front- row seat as a spectator in a transgender jail unit. Get Hard (2. 01. 5, USA) Predictable comedy: tall soft rich white man engages short black law- abiding man to school him in all things prison. Release (2. 01. 0, UK)A defrocked gay priest and a Prison Officer get unfrocked together. Weeds (1. 98. 7, USA) A troupe of ex- cons from San Quentin take an amateurish prison production on the road. Pardon Us (1. 93. USA)Uneven Laurel & Hardy effort in what is thought to be the first ever full length full- length talkie prison comedy. Convicts 4 (1. 96. USA)So- so 6. 0's story of a 3. Sing Sing and through art finds his way out in the 4. H3 (2. 00. 1, Ireland)One- dimensional view of the Bobby Sands hunger strike era - Maze Prison, 1. Civil Brand (2. 00. USA)Shoot 'em up women's prison revolt drama masquerading as a film with something serious to say about the exploitation of prisoners. Hold 'Em Jail (1. USA)Wheeler & Woolsey find romance and a football match in prison, anticipating The Longest Yard series. Canon City (1. 94. USA)Pretty uninspiring account of the real life escape of 1. Colorado State Prison in 1. Maximum Security (1. USA)Episodes of a TV series spliced into a movie of a prisoner struggling to deal with his relationship with his dying father. The Last Mile (1. USA)If you’re looking for a film that extols the virtues of the death penalty, this ain’t that film. Con Air (1. 99. 7, USA)Ridiculous action flick in which squarehead prisoner saves all good people from all bad people. Last Light (1. 99. USA)White prisoner, looked after on death row by a black guard, in a film that could have been much better. Tracks (2. 00. 4, USA)Unsatisfying story of an abused, unlikeable teenager wrestles with his demons while in prison on a manslaughter charge. Convict 1. 3 (1. 92. USA)2. 0 minutes of silent slapstick, starring Buster Keaton as civilian, prisoner and guard - almost all at once. Red Heat (1. 98. 5, USA)Innocent girl abroad becomes imprisoned girl abroad in xenophobic thriller. Cadence (1. 99. 0, USA)Wonderful military cadence scenes steal the show in a mediocre military prison film. Vendetta (2. 01. 5, USA)Ludicrous action flick; a cop seeks revenge for the killing of his wife by obliterating half the prison. Riot (2. 01. 5, USA)Preposterous film about a cop, a Russian crime figure who killed the cop's wife, and their prison showdown. Furnace (2. 00. 7, USA)Lukewarm horror flick with ghouls let loose in an old bricked- up section of an ageing prison. Thunderbolt (1. 92. USA)Early talkie in which a gangster takes on his rival for his girl's affections from his Death Row cell. Vendetta (1. 98. 6, USA)The sister of a murdered prisoner goes to jail to avenge her death. Timelock (1. 99. 6, USA)Quaint, but not very good, action flick involving an escape from a super- max prison in space. Dogboys (1. 99. 8, USA)Nasty prison boss uses prison dogs nastily in a sort of nasty B Grade thriller. B movie - Wikipedia. A B movie is a low- budget commercial movie, but one that is not an arthouse film. In its original usage, during the Golden Age of Hollywood, the term more precisely identified films intended for distribution as the less- publicized bottom half of a double feature. In its post–Golden Age usage, there is ambiguity on both sides of the definition: on the one hand, the primary interest of many inexpensive exploitation films is prurient; on the other, many B movies display a high degree of craft and aesthetic ingenuity. In either usage, most B movies represent a particular genre—the Western was a Golden Age B movie staple, while low- budget science- fiction and horror films became more popular in the 1. Early B movies were often part of series in which the star repeatedly played the same character. Almost always shorter than the top- billed films they were paired with, many had running times of 7. The term connoted a general perception that B movies were inferior to the more handsomely budgeted headliners; individual B films were often ignored by critics. Latter- day B movies still sometimes inspire multiple sequels, but series are less common. As the average running time of top- of- the- line films increased, so did that of B pictures. In its current usage, the term has somewhat contradictory connotations: it may signal an opinion that a certain movie is (a) a genre film with minimal artistic ambitions or (b) a lively, energetic film uninhibited by the constraints imposed on more expensive projects and unburdened by the conventions of putatively . The term is also now used loosely to refer to some higher- budgeted, mainstream films with exploitation- style content, usually in genres traditionally associated with the B movie. From their beginnings to the present day, B movies have provided opportunities both for those coming up in the profession and others whose careers are waning. Celebrated filmmakers such as Anthony Mann and Jonathan Demme learned their craft in B movies. They are where actors such as John Wayne and Jack Nicholson first became established, and they have provided work for former A movie actors, such as Vincent Price and Karen Black. Some actors, such as Bela Lugosi, Eddie Constantine and Pam Grier, worked in B movies for most of their careers. The term B actor is sometimes used to refer to a performer who finds work primarily or exclusively in B pictures. History. Soon, director Frank Capra's association with Columbia would help vault the studio toward Hollywood's major leagues. That average reflected both . These cheaper films (not yet called B movies) allowed the studios to derive maximum value from facilities and contracted staff in between a studio's more important productions, while also breaking in new personnel. Their movies, with relatively short running times, targeted theaters that had to economize on rental and operating costs, particularly small- town and urban neighborhood venues, or . Even smaller production houses, known as Poverty Row studios, made films whose costs might run as low as $3,0. Soon, director Bryan Foy's association with Vitaphone would help vault the studio toward Hollywood's major leagues. A new programming scheme developed that would soon become standard practice: a newsreel, a short and/or serial, and a cartoon, followed by a double feature. The second feature, which actually screened before the main event, cost the exhibitor less per minute than the equivalent running time in shorts. The low- budget picture of the 1. B movie, of Hollywood's Golden Age. All established B units to provide films for the expanding second- feature market. Block booking became standard practice: to get access to a studio's attractive A pictures, many theaters were obliged to rent the company's entire output for a season. With the B films rented at a flat fee (rather than the box office percentage basis of A films), rates could be set virtually guaranteeing the profitability of every B movie. The parallel practice of blind bidding largely freed the majors from worrying about their Bs' quality—even when booking in less than seasonal blocks, exhibitors had to buy most pictures sight unseen. The five largest studios—Metro- Goldwyn- Mayer, Paramount Pictures, Fox Film Corporation (2. Century Fox as of 1. Warner Bros., and RKO Radio Pictures (descendant of FBO)—also belonged to companies with sizable theater chains, further securing the bottom line. In no position to directly block book, they mostly sold regional distribution exclusivity to . In contrast to the Big Five majors, Universal and Columbia had few or no theaters, though they did have top- rank film distribution exchanges. Double features were not the rule at these prestigious venues. As described by historian Edward Jay Epstein, . At the larger local venues controlled by the majors, movies might turn over on a weekly basis. At the thousands of smaller, independent theaters, programs often changed two or three times a week. To meet the constant demand for new B product, the low end of Poverty Row turned out a stream of micro- budget movies rarely much more than sixty minutes long; these were known as . Millions of Americans went to their local theaters as a matter of course: for an A picture, along with the trailers, or screen previews, that presaged its arrival, . The leading studios made not only clear- cut A and B films, but also movies classifiable as . In 1. 93. 5, B movie production at Warner Bros. The unit was headed by Bryan Foy, known as the . Wurtzel was similarly in charge of more than twenty movies a year during the late 1. In 1. 93. 5, Monogram, Mascot, and several smaller studios merged to establish Republic Pictures. The former heads of Monogram soon sold off their Republic shares and set up a new Monogram production house. Less sturdy Poverty Row concerns—with a penchant for grand sobriquets like Conquest, Empire, Imperial, and Peerless—continued to churn out dirt- cheap quickies. Calculating in the three hundred or so films made annually by the many Poverty Row firms, approximately 7. Hollywood movies from the decade, more than four thousand pictures, are classifiable as Bs. The Weiss outfit had the Range Rider series, the American Rough Rider series, and the Morton of the Mounted . Fox's many B series, for instance, included Charlie Chan mysteries, Ritz Brothers comedies, and musicals with child star Jane Withers. As with serials, however, many series were intended to attract young people—a theater that twin- billed part- time might run a . In the words of one industry report, afternoon moviegoers, . The double feature, never universal, was still the prevailing exhibition model: in 1. Restrictions were also placed on the majors' ability to enforce blind bidding. Genre pictures made at very low cost remained the backbone of Poverty Row, with even Republic's and Monogram's budgets rarely climbing over $2. Many smaller Poverty Row firms folded as the eight majors, with their proprietary distribution exchanges, now commanded about 9. U. S. Selznick brought his bloated- budget spectacle Duel in the Sun to market with heavy nationwide promotion and wide release. The distribution strategy was a major success, despite what was widely perceived as the movie's poor quality. Films shot on B- level budgets were occasionally marketed as A pictures or emerged as sleeper hits: one of 1. Hitler's Children, an RKO thriller made for a fraction over $2. It earned more than $3 million in rentals, industry language for a distributor's share of gross box office receipts. Programmers, with their flexible exhibition role, were ambiguous by definition. As late as 1. 94. Around the same time, Republic launched a similar effort under the . Raw Deal (1. 94. 8), writes scholar Robert Smith, is . Lewton produced such moody, mysterious films as Cat People (1. I Walked with a Zombie (1. The Body Snatcher (1. Jacques Tourneur, Robert Wise, and others who would become renowned only later in their careers or entirely in retrospect. Though many of the best- known film noirs were A- level productions, most 1. In the decades since, these cheap entertainments, generally dismissed at the time, have become some of the most treasured products of Hollywood's Golden Age. Three majors beside RKO contributed a total of five more. Along with these eighteen unambiguous B noirs, an additional dozen or so noir programmers came out of Hollywood. RKO's representative output included the Mexican Spitfire and Lum and Abner comedy series, thrillers featuring the Saint and the Falcon, Westerns starring Tim Holt, and Tarzan movies with Johnny Weissmuller. Jean Hersholt played Dr. Christian in six films between 1. Christian (1. 94. Republic aspired to major- league respectability while making many cheap and modestly budgeted Westerns, but there was not much from the bigger studios that compared with Monogram ? The little studio had its own house auteur: with his own crew and relatively free rein, director Edgar G. With audiences draining away to television and studios scaling back production schedules, the classic double feature vanished from many American theaters during the 1. The major studios promoted the benefits of recycling, offering former headlining movies as second features in the place of traditional B films. After barely inching forward in the 1. U. S. By 1. 95. 3, the old Monogram brand had disappeared, the company having adopted the identity of its higher- end subsidiary, Allied Artists. The following year, Allied released Hollywood's last B series Westerns. Non- series B Westerns continued to appear for a few more years, but Republic Pictures, long associated with cheap sagebrush sagas, was out of the filmmaking business by decade's end. In other genres, Universal kept its Ma and Pa Kettle series going through 1. Allied Artists stuck with the Bowery Boys until 1. The age of the hour- long feature film was past; 7.
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